YouTube 2007 Awards

Arts. Masterworks of Lo-Fi Video

YouTube Awards the Top of Its Heap By VIRGINIA HEFFERNAN Published: March 27, 2007

YouTube Winners of the 2006 YouTube Video Awards include, top row, from left, OK Go's "Here It Goes Again," for most creative,and "Smosh Short 2: Stranded," for best comedy; second row, "Hotness Prevails," for best commentary, and "Ask a Ninja," for best series; third row,"Say It's Possible," for best music video,and "Free Hugs Campaign," for most inspirational. bottom row "Kiwi!," won for most adorable.

Et tu, YouTube? The mellow Silicon Valley "video-sharing site," once styled as nothing more than a converted loft space for oddball videos, is looking more Hollywood by the minute. Back in the day, say, six months ago, YouTube was still meant to be pure NoCal: no judgments, no hierarchies, big bandwidth and lots of freedom. YouTube videographers weren't supposed to get stars on their doors from the powers that be. But now we have the 2006 YouTube Video Awards, a product — so the intro on the awards page says — of "the YouTube community." But given that the rushed and almost certainly screwy voting commenced only once the nominees were published by YouTube, this community project doesn't seem quite organic. The dread idea of arts administration has come to YouTube. And in a real insult to the speedy Web world, this 2006 event has happened well into spring 2007, honoring bygone achievements. That seems very Internal Revenue Service, not to mention very Oscars. So, oh, looky here in the winners' circle. We've got the neato guys who dance on treadmills, Smosh, the Wine Kone and Ask a Ninja. If these names sounds fresh to you, well, then, YouTube's done its job, and maybe you'll stop by, hang out and find something that actually answers to your tastes. To older hands, the award winners, announced yesterday, will be recognizable as YouTube veterans, and their selection here makes blindingly clear the site's slacker aesthetic (Smosh, OK Go and the Wine Kone); its mush politics (the Free Hugs Campaign); and its chronic oscillation between absurdism ("Ask a Ninja") and emo ("Say It's Possible"). This value system is not intrinsically worse than the one that determines prime-time television's crisp, white-collar aesthetic; its mainstream politics; and its chronic oscillation between punchy and sappy. It's just that YouTube's not really supposed to have any aesthetic or ideological principles, is it? YouTube's video superlatives might make you think that Google might one day hand out prizes for best or shadiest Web site. Or that Wikipedia might honor the most brilliant idea. YouTube, Google and Wikipedia should be low-key clearinghouses of shared information. Not prosceniums. YouTube's winners also reveal the site's mystified attitude toward animation, in the form of the sweet but dull "Kiwi!" cartoon, which takes the most adorable video prize. Recently, humble animation has now become so refined and poignant in various high-end graduate programs that even cartoons about little birds now carry the slightly pretentious air of French film. (Animators often discuss credentials and technique in the prefaces to their videos on YouTube; video makers, on the contrary, want everything to look tossed off.) The widespread animus toward "lonelygirl15," the hit online series that got its start on YouTube but then seemed to grow too big for its britches, also seems to be alive and well at the YouTube Awards, where it was nominated for several awards but won nothing. Hostility toward the project comes through instead in choices like "Ask a Ninja" and "The Wine Kone," videos by two ubiquitous male soloists who have lampooned the series. The YouTube boys' club is packed. The Wine Kone, a handsome guy with a steady gaze and a wheezy chortle, holds forth there on belly-button issues, while the Ninja plays older brother, offering advice and pushing Net neutrality, the so-called First Amendment of the Web. Terra Naomi with her heartbreaking "Say It's Possible" won best music video here. That's a wonderful choice. The song has got a sustained ache to it, and the visual setup for the video — the singer at the guitar crowding the camera, before an unused keyboard — is painterly, in the tradition of the best YouTube bedroom guitar videos. (Unlike the funny OK Go guys on their treadmills; I like their pluck, but it's too MTV for YouTube.) With the look of a young Keith Richards, Terra Naomi is the only girl cool enough to make the cut in the YouTube awards. The pity of these awards is ultimately that they might be some people's first contact with YouTube. That would be sad. My words of advice for people new to YouTube: Forget awards, and forget hip. Instead, follow your pre-Internet interests to vintage film on YouTube, and that will lead you to video commentary, parodies and community. For starters, why not track down Ernest Hemingway with a man-size marlin, Shirley Verrett as Lady Macbeth, interviews with Sigmund Freud or color film from the Korean War?

Copyright by the New York Times 2007